Sheikh Faisal Bin Qassim Al Thani Museum
Sheikh Faisal Bin Qassim Al Thani Museum (FBQ Museum) has announced the official opening of its QatarIndia Cultural Exhibitions in line with the Qatar India 2019 Year of Culture, in partnership with the Indian embassy.
Complementing the rather historic exhibition at the FBQ Museum's main hall, an exhibition by Indian miniature artists Ajay and Vinita Sharma will be opened simultaneously at FBQ Museum's new contemporary art space The White Majlis.
The exhibition will establish their achievements as artists trained by masters and depict their journeys to becoming experimental contemporary artists in their own right.
Other side of the Wall is a series of activities as part of my ongoing doctoral research process. It will bring together the artistic practices that developed in a diverse institutional structure; re-engaging with Mughal miniature painting. This project will discuss the act of re-engaging with a traditional language and also about how these practitioners position themselves in the Global art scene.
The horse has interesting symbolism in art.
It is a symbol of energy, of a driving force that carries you through life. It also represents freedom of expression, especially as the instinctive wild and tamed aspects of personality are balanced. As such, the horse is a perfect medium for Indian artist Ajay Sharma’s work.
2014 IndianLink | 2015 IndianLink
The title of this exhibition, “Cowdust,” comes from the Hindi word godhu¯li, or “cowdust hour,” a term for the indistinct twilight hour between day and night when the herds return from pasture and a fine dust rises up from the road. This liminal time, characterized by flickering landscapes and blurring views, epitomizes the cross-cultural exchange central to the collaboration between Julie Evans and Ajay Sharma. It also describes the paintings themselves, resting as they do on the boundary between dreaming and wakefulness. The images blend the traditional and the contemporary, straddling eras and cultures.
Evans and Sharma met in Jaipur in 2003, while Evans was in India on a Fulbright scholarship studying miniature painting; the two have been collaborating artistically since 2009, creating exquisite works on paper that combine their individual techniques and artistic cultures—miniature painting for Sharma, primarily abstract painting for Evans. The eight works on view here—rendered in, among other materials, acrylic, gouache, and pencil—hover on the indefinite edge between abstraction and ornamentation, depicting minute iconographic forms on bulbous backgrounds of fluid and frayed color. GreenMisstep (all works 2010), for instance, delineates cloudy sky in the upper portion of a dark green oval with blurred edges; at the lower right of the oval, a sitting deck and little red women’s slippers suggest human presence, while a configuration of small circles in the foreground lends the composition the rhythm of a nocturnal raga for hidden lovers.
Jan 2011 Art in America is an illustrated monthly, international magazine concentrating on the contemporary art world in the United States